image source: Netflix

A marvel of animation and storytelling, Klaus is a movie deserving of every award it has won and more. A refreshing take on animation cinematography, the art is impeccable, and the hand-drawn 2D style is a prime example of how technology can help our imaginations shine (literally — much of the film’s breathtaking beauty comes from a new way of lighting hand-drawn scenes).

The movie follows Jesper (Jason Schwartzman), a pampered young man who has never taken a job seriously in his life. Hoping to teach him responsibility, his father sends him to a remote Arctic town to work as the local postman. But Smeerensburg is far from welcoming: its two main clans are locked in an age-old feud, no one sends letters, and even the local teacher, Alva (Rashida Jones), has given up on her classroom and now works as a fishmonger.
At his lowest point, Jesper stumbles across a secluded cottage belonging to Klaus (J.K. Simmons), a solitary woodcutter with a house full of handmade toys. Though Klaus first appears intimidating, Jesper soon learns he is a grieving man with a generous heart. What begins as an unlikely partnership slowly transforms the entire town. Children start to laugh again, neighbours reconnect, Alva returns to teaching, and the joyful tradition of leaving toys for little ones takes root — lighting up Smeerensburg with hope and kindness.

It’s a beautiful hand-drawn animation with a story that magistrally balances a rare irreverent humour with a heartwarming feel making Klaus an instant holiday classic for families.

Directed by Sergio Pablos, the Spanish animator who worked on Hercules, Tarzan, and co-wrote Despicable Me, the film blends some of the most beloved elements of modern and traditional animation, echoing the charm of earlier animation styles while feeling completely fresh and timeless.

↺ Extras

Curious about the animation? Watch this making of video

Check the Raising Children Network review and classification

↪ image source: Netflix